© Hank Mardukas Photography 孟菲斯第一个黑人戏目剧院从它开始创建的地方搬迁到现在的停车场地上，周围是目前正在如火如荼建设中的城市娱乐区。From the architect. Program Statement: The first black repertory theatre in Memphis relocated from their start-up space to an existing parking lot in an urban entertainment district currently undergoing a resurgence.
© Hank Mardukas Photography
孟菲斯第一个黑人戏目剧院从它开始创建的地方搬迁到现在的停车场地上，周围是目前正在如火如荼建设中的城市娱乐区。 From the architect. Program Statement: The first black repertory theatre in Memphis relocated from their start-up space to an existing parking lot in an urban entertainment district currently undergoing a resurgence.
© Hank Mardukas Photography
© Hank Mardukas Photography
这座新的建筑物是该区域唯一的黑人戏目剧院，所以它拥有自己的特征，位于进入娱乐区主干道的一个角落处。 The new building allows the region’s only black repertory theatre to have its own identity and establish a presence on the corner of a main artery into the district.
© Hank Mardukas Photography
从其他的先例和案例研究的基础上来看，这个现代化的新剧院预算有限。基于紧张的预算，设计师制定了一项带两个目标的早期战略： 1.定义了永久的、可根据筹款和利润 （这将允许剧院不牺牲建筑质量而添加照明等）改建的弹性设施。2. 保持剧院建造的简单性。 The new theatre had a modest budget for a modern day theatre based on other precedents and case studies. Knowing there was a tight budget, we formulated an early strategy with two goals: 1. Define components that were permanent and components that could be added over time based on continued fundraising and profit (this would allow the theatre to add lighting, etc., but not sacrifice building quality), and 2. Keep it simple.
© Hank Mardukas Photography
© Hank Mardukas Photography
© Hank Mardukas Photography
© Hank Mardukas Photography
该建筑被划分成两个主要体量：一个用于表演，设有两个黑幕剧场、辅助空间；另一个用作行政用途。该剧院没有窗户，两个剧场占据了毗邻周边停车场的北部边缘。不规则的体块根据室内空间设计而成，但这两个房间都包裹着一层瓦状的壁板，借其连续性和纹理延伸到黑色的墙壁上。较低的建筑体量包含了入口大厅、售票处和行政空间，并在南部边缘的第二大街 （门罗大道）处展示出欢迎行人的规模。 The building is divided into two main programmatic volumes; the performance volume, which features two black box theatres and supporting spaces, and an administration volume. Conceived as windowless boxes, the two theatres occupy the northern edge of the site, abutting a neighboring parking lot. The irregular massing is reflective of the required internal volume, yet both boxes are clad in a shingled siding that lends continuity and texture to an otherwise blank façade. The lower volume houses the entry lobby, ticketing and administrative spaces and presents a welcoming pedestrian scale along the southern edge of the secondary street (Monroe Avenue).
© Hank Mardukas Photography
Diagram/图解
高强钢镀面被用作抵抗气候变化并随着时间推移发生的氧化，在为建筑本身增添卓越的持久性的同时，为整个娱乐区平添独特的个性。 Cor-Ten cladding was used for its ability to weather and oxidize over time and add to the unique character of the entertainment district while adding a distinct permanence to the building.
© Hank Mardukas Photography
© Hank Mardukas Photography
© Hank Mardukas Photography
© Hank Mardukas Photography
© Hank Mardukas Photography
Floor Plan/平面图
Site Plan/场地平面图
建筑设计事务所：archimania 地点：美国 孟菲斯 项目面积：11041.0 平方英尺 年份：2014年 摄影：Hank Mardukas Photography 业主：Hattiloo剧院 室内设计：archimania 顾问：Self Tucker Architects, SSR, JaffeHolden, Schuler Shook, Aye Leigh Projects |
