意大利都灵维亚艾法利6号公馆

© Piero Ottaviano

6号公馆，Palazzo Valperga Galleani宫的修复项目，是对建筑拯救、尊重文化遗产、技术、优雅和美感的最好表现之一。由Building Engineering承担的本次整修和发展，目的在于对这个重要的历史及建筑产业进行大幅功能性改造，尽管它在上个世纪所受到的损毁导致了其原本住宅意义的缺失。

From the architect. The Number 6, the renovation of Palazzo Valperga Galleani, is one of the best representations of architectural salvage, respect for cultural heritage, technology, elegance and sense of beauty. The restoration and development, carried out by Building Engineering, intended to dramatically re-functionalize an important historical and architectonic property, that in spite of its disfiguration during the last century that led to the loss of its original residential aim.

© Piero Ottaviano

© Piero Ottaviano

重建背后的主要意义在于以一种特定的方式——将庭院的私人空间向城市开放，并以艺术品、适当的灯光、植物和花卉装饰来达到挽回建筑特性的目的。所有重建的36套公寓都是在遵守原有设计布局的前提下修建的，这样有力的解决方案既能使新旧建筑完美的融合又能把生态影响降到最低。

The main idea behind the reconstruction was to bring back the property purpose with a particular intention to “open” the private space of courtyard to the city, decorating it with art objects, proper lighting, plants, and flowers. All reconstructions undertaken to build the 36 apartments which were designed in accordance of the pre-existing layout, are done with the intention to reconcile it with the cutting edge solutions for minimizing ecological impact.

© Piero Ottaviano

从一开始，设计的目的在于建立一个使建筑解决方案融合到能够为空间带来附加价值的艺术和速记的设置里，使其更加愉悦游客。因此，借助于文化遗产保护机构，构建了一个虽然曾经失去，但仍然具有强大的感召力的环境。

From the start, the intention was to establish a work that would reconcile architectural solutions to an artistic and stenographic setting designed to give an added value to the space, making it enjoyable for visitors. Therefore, with the help of with Cultural Heritage Protection Bodies, were constructed an environment once lost but, not forgetting its strong evocative value.

© Piero Ottaviano

© Piero Ottaviano

在对艾法利街的庭院进行修复时，我们选择在水平和垂直两个平面上，用灯光和植物，以换位设计来恢复原十七世纪的花园。历史的园林现在以一个浪漫的姿态挂在院子纯净的空气中。

During the restoration of the courtyard of the Alfieri street we chose to revitalize the original XVII century giardino (garden) transposing its design, with lights and plants, in two planes, horizontal and vertical. The historical giardino is now hanging down in aromantic gesture produced in the plain air of the courtyard.

© Piero Ottaviano

那悬置的时代标志，那树，是palazzo历史的呈现，是情感象征，使palazzo当地居民日常情感中的惊喜感得到更新，使曾经居住在这里的居民的记忆得以复苏。

The suspended contemporary sign, the tree, is a representation of the history of the palazzo, an emotive symbol that renews the astonishment in the everyday perception of the residents of the palazzo, and revitalizes the memory of the ones that once lived there.

© Piero Ottaviano

Ground Floor Plan/底层平面图

一条长长的水平阳台栏杆沿着建筑的墙壁伸展着，并且被众多插着攀缘植物的花瓶很好地装饰着。每一个花瓶都带有自动浇水装置，被两个安装在半钢性的壁架上的灯照亮。

A long horizontal line of balcony rails nicely decorated with numerous flower vases holding climbing plants is exposed along the walls of the building. Every vase is provided with an automatic watering device and by two lanterns mounted on semi-rigid brackets intended to illuminate the vases.

© Piero Ottaviano

Section/剖面图

由计算机统一控制的所有照明元素都与庭院的铺地设计相结合，而且树木和众多花瓶组成了一幅独特的展示画面。

Consistent computer controlled illuminations of all elements unite the courtyard paving design, the tree and multiple vases into one unique expressive picture.

© Piero Ottaviano

© Piero Ottaviano

设计单位：Building
地理位置：意大利都灵维亚艾法利大道6号，邮编：10121
设计团队：Building Engineering
面积：9500.0m2
年份：2013年
摄影：Piero Ottaviano
合作者： Luca Petrone, Salvatore Grillo, Marco Gribaudo, Daniele Uria, Paolo Palomba, Omar Brotto, Fabio Mellina Gottardo, Cristina Scarpetta, Laura Sarasino, Andrea Serapioni, Cristina Stranieri, Roberto Daloiso, Danilo Brotto, Mario Uria)
施工单位：Building S.p.A
艺术总监：Richi Ferrero