在Nafplio城市入口的现有钢结构中，我们被要求为路人、游客和居民设计一个现代的面包店、食品和咖啡站。 In an existing steel structure located at the entrance to the city of Nafplio, we were asked to design a modern bakery, food, and coffee station for the passer-by, visitors, and residents alike.
In an existing steel structure located at the entrance to the city of Nafplio, we were asked to design a modern bakery, food, and coffee station for the passer-by, visitors, and residents alike.
在半城市特色的建筑环境中，建筑的规模突出了其主导地位，并与周围的开放空间相结合，促使我们将重建作为一个建议，在自治和独立体量的限制下移动，同时尊重前面繁忙的道路。在这种情况下，我们必须处理两个明显相反的情况，一个是伴随着整体体量的停滞，另一个是中央高速公路永恒的命运。
In a build environment of semi-urban character, the size of the building highlights a scale that is dominant and in combination with the surrounding open spaces urges us to handle the reconstruction as a proposal that moves within the limits of an autonomous and independent volume respecting the same time the busy road in front of it. In this context, we had to manage two obviously opposite conditions, a stasis that accompanies a monolithic volume and movement that is the perpetual fate of a central highway.
建筑立面上“鳞片”的特殊形式和使用首先来自于保护现有外壳的需要，其次来自于将其转化为拥抱和抚慰建筑的皮肤的愿望。通过这种方式，建筑本身创造了照明的变化，而不是我们在类似类型的建筑中习惯使用的标志。因此，外部照明可以根据用户的意愿和需要进行改变，使其成为设计的一部分，从外壳中统一和不可分割。
The special form and use of the "scales" on the facades of the building came firstly from the need to protect the existing shell and secondly from a desire for the cover to be translated as a skin that embraces and soothes the building. In this way, the building itself creates the alternations in the lighting and not the use of signs that we are used to in buildings with similar typologies. The exterior lighting can therefore be changed according to the wishes and needs of the users so that it becomes a part of the design unified and indivisible from the shell.
水的元素在公共空间和私人空间之间创造了一个过渡区域。处理门槛在一个几乎平坦的表面和直接接触的主要道路变得重要。
The element of water creates a transitional zone between the public and the private space. Treating the threshold on an almost flat surface and with direct contact with the main road becomes important.
The element of water creates a transitional zone between the public and the private space. Treating the threshold on an almost flat surface and with direct contact with the main road becomes important.
当人们进入建筑内部时，另一个世界被揭示出来。从2.30米高的低矮户外顶棚空间，我们突然进入了内部高度为6.50米的主空间。从最低层一直到顶部观察这个空间，材料的选择和放置创造了一种从地面向上的光感。在底部，我们选择了大理石石灰华romano Classico，这提供了一个坚实的开始。中间区域由浅色海洋胶合板制成，从自然和世俗过渡到包含展览空间的第三个区域的未来主义形状。
As one enters the interior of the building, another world is revealed. From the low outdoor canopy space of 2.30m height, we suddenly enter the main space which has a 6.50m internal height. Observing the space from its lowest level, all the way to the top, the materials have been selected and placed to create
a sense of light from the ground upwards. At the base, we have selected marble travertine romano Classico, which provides a solid start. The middle zone is made of marine plywood in a light color that essentially plays the role of the element of transition from the natural and earthly to the futuristic shapes of the third zone that embraces the exhibition space.
建筑师：Studio 2Pi Architecture
