Tostado咖啡厅/ Hitzig Militello Arquitectos

来自事务所的描述：从再现传统的布宜诺斯艾利斯杂货铺的精神，而不是从诉诸陈词滥调的想法出发，我们使用了杂货木箱，对我们来说最能反映这种店的真实性的材料进行设计。这种单一元素的纯碎简单，不管用加还是减都能产生很好的空间感。由这些抽象元素组成设计都是为了想更好地传达这种精神。总而言之：构建无装饰性的装修。From the architect. Starting off from the idea of recreating the spirit of the traditional Buenos Aires groceries without resorting to clichés, we worked with the materiality of what to us best reflects this kind of store: the wooden box for groceries. The sheer simplicity of this single element can generate spatiality both by addition and subtraction. The result attempts to describe this spirit, which was built by the abstraction of these elements. In short: constructing the decoration without decorating the construction.

来自事务所的描述：从再现传统的布宜诺斯艾利斯杂货铺的精神，而不是从诉诸陈词滥调的想法出发，我们使用了杂货木箱，对我们来说最能反映这种店的真实性的材料进行设计。这种单一元素的纯碎简单，不管用加还是减都能产生很好的空间感。由这些抽象元素组成设计都是为了想更好地传达这种精神。总而言之：构建无装饰性的装修。

From the architect. Starting off from the idea of recreating the spirit of the traditional Buenos Aires groceries without resorting to clichés, we worked with the materiality of what to us best reflects this kind of store: the wooden box for groceries. The sheer simplicity of this single element can generate spatiality both by addition and subtraction. The result attempts to describe this spirit, which was built by the abstraction of these elements. In short: constructing the decoration without decorating the construction.

© Federico Kulekdjian

由于一般品牌理念的创建，其本身也是作为项目的一部分，是在建筑学上搜索无处不在的产品精髓的综合反映。以一个清晰的理念作为起点，可以很好的缩短图标与品牌以及建筑与室内的鸿沟。

As a part of the project since the creation of the general concept of the brand, the architectonic search ubiquitously attempts a comprehensive reflection of the essence of the product. A clear concept taken as a starting point allows for a narrowing of the gap between image and branding and between architecture and interiorism.

© Federico Kulekdjian

Ground Floor Plan/一层平面图

当我们试图极力表达对项目的总体思路时，空间性和物质性走在同一个方向：单材料集合体（地板和calcarean石墨灰砖壁）对比了单一材料的体积片构成收银台，升华了空间和被老木杂货箱包围的状态。

Spatiality and materiality go in the same direction when attempting to vehemently express the general idea for the project: a single-material container (floors and walls in graphite gray calcarean tiles) counters with a single-material volumetric piece that crowns the space and circumscribes situations (the old wooden grocery box).

© Federico Kulekdjian

这里所有元素使用的都非常符合适时和准确。体量靠上位置的树洞完全由杂货箱材料制成。这样的洞会摆放一些与主题思想相关的物品：古董面包机，咖啡机或水壶和一些用具。

Both these elements are in time also intervened on. Hollows are made on the upper volume built entirely with grocery boxes. Such cavities contain objects related to the developed concept: antique toasters, coffee makers/pots and some utensils.

© Federico Kulekdjian

亮色：所有的杂货箱和物品都被处理过，从而实现一种独特和细致的单色纹理。暗色：石墨灰砖瓦的表面被抛光，用以提高该材料的固有特性。垂直于楼梯上的花园不仅是为了传达进入地下室的信号，并且意味着离开占主导地位的灰白单色空间。

Light monochromatism: Both the grocery boxes and the objects are treated so as to achieve a unique and subtle monochromatic texture. Dark monochromatism: The surface of the graphite gray tiles was polished so as to enhance the intrinsic qualities of the material. The vertical garden located at the stairs not only calls for a descent into the basement but also signifies a departure from the monochromatic game between grays and whites that predominates in the overall space.

© Federico Kulekdjian

© Federico Kulekdjian

家具和灯光装置不仅为空间增加了温馨和舒适的感觉，而且挂毯还是品牌宣传的一部分。

Furniture and lighting equipment not only add warmth and comfort to the space but are also a part of the brand graphics on its tapestries.

© Federico Kulekdjian

Deployed Elevation/立面图

整个空间设法在极少数元素的衬托下进行空间呈现，从而让零售产品的作用更加突出：一杯好的咖啡和一个美味的烤面包。

The space thus manages to show off with the aid of very few elements, allowing for a more prominent role of the retail products: a good coffee and a delicious toasty.