Poland Sluzewski Culture Centre
设计方：WWAA + 307 Kilo Design
位置：波兰 华沙
合作人：Marcin Mostafa， Natalia Paszkowska, Jan Sukiennik， Maciej Kleszczewski， Wojciech Piwowarczyk, Anna Z

这是由WWAA + 307 Kilo Design设计的Sluzewski文化中心。该设计的最终形式是由两个因素决定：第一，现状以及城市文脉；,第二，设计自身的功能定义。现存的原文化中心以及其周边存在的生态环境、教育农场和乡村住宅也是设计灵感的源泉。整个项目包括两个相互关联同时又独立运作功能的建筑。入口广场通过圆剧场式的楼梯连接至1级的主要空间和建筑主要入口。这个地下盆似的空间可作为露天戏剧表演的舞台，同时可拆卸作为雨水收集器。建筑主要功能放置在地面下的1级，首层包括一个小型的开放公共空间和传统的房屋。每个房屋都作为独立功能空间，如一个艺术工作室或一个文学俱乐部。此外，设计将迷你动物农场引入中心，采用风能和太阳能来替代其他能源。通过改进传统农庄形式，该项目不仅深入了地方传统和文化，也显示了对城市与功能区边界的尊重。
The final form of the Cultural Centre design was determined by two elements: the first, the situation and an urban context of the object, the second, its function defined by the programme. The existing, original cultural centre was also a source of inspiration, together with the adjacent ecological, educational farm and a survived country house at 7 Tarniny Street. The whole programme consists of two, interconnected buildings, however, each of them can function separately.

The basic part of the project and the main entrance into the building are placed on -1 level, which is accessed by amphitheatrical staircase from the entrance square. This submerged basin functions as a stage during theatrical, open-air performances. Its warm, wooden flooring looks inviting as a place for playing and relaxing between various activities. At the same time it can be easily disassembled for the maintenance of rain collector passing beneath.

By adapting a traditional form of a farmstead, the design is not only deeply set in the tradition and culture of the place, it also shows respect for the borders of urban and functional zones and in a way employs a sort of convention of children? iconography. Due to placing the main function of the building on -1 level (below the ground), the groundfloor level has been treated as an open, public space where relativelly small, traditional in form and material houses are constructed. Each of them can be accessed from the area level, and each of them serves one function, e.g., an art workshop or a literature club.

Fully glazed walls of the building overlooking the park on one side, Bach Street on the other, allow the strollers walking around the Cultural Centre to have a glimpse of activities taking place inside, not missing the view of the greenery of the S?u?ew Brook area. Such layout of the building allowed for maximum connection of its interior with the surrounding. As it were, the premises of the Centre become public space of the city, the activities of the Centre reach beyond its borders.

Accordingly, the architecture of the object is restrained and friendly; by using possibly contemporary means it tries to interconnect the traditional elements of urban layout with simple, natural finishing materials. An unpretentious building, submerged in the greenery, is supposed to be the background for events happening there. The present design bases on assumption that the architecture of an object fulfilling this sort of functions plays an immensely important educational and cultural role, e.g., by shaping esthetic and ecological awareness.

Hence, the decision about introducing mini animal farm into the very heart of the Centre, the proposal of employing wind and solar energy as alternative sources and finally the layout of the object on the farmstead plan which can be read as an ethical approach to architecture with respect for the context of the place.
The master bedroom and its balcony projection overlook a section of the patio which spreads along the residence, defining two living spaces according to the needs. The guesthouse offers a lighten rest area. The architectural concept is defined by a contemporary reinterpretation of the vernacular architecture of Quebec’s summer cottages, especially neighboring houses.

波兰Sluzewski文化中心外部实景图
波兰Sluzewski文化中心外部实景图

波兰Sluzewski文化中心外部局部实景图

波兰Sluzewski文化中心外部局部实景图

波兰Sluzewski文化中心外部夜景实景图

波兰Sluzewski文化中心内部实景图

波兰Sluzewski文化中心内部实景图