“无尽之窗”装置构造了一个洞穴般的隧道，它参考了中国传统的木窗棂。吉隆坡的鬼仔巷为这件作品提供了场地和背景故事，装置在该地充当了时间隧道，反映出代表传统文化的过去。 ‘Endless Frames’ imagines a cavern-like tunnel which references traditional Chinese wooden door and window frames—acting as a time tunnel, where the context of Kwai Chai Hong lends itself to the historical background for this piece. It reflects on the heritage of our past.
“无尽之窗”装置构造了一个洞穴般的隧道，它参考了中国传统的木窗棂。吉隆坡的鬼仔巷为这件作品提供了场地和背景故事，装置在该地充当了时间隧道，反映出代表传统文化的过去。
‘Endless Frames’ imagines a cavern-like tunnel which references traditional Chinese wooden door and window frames—acting as a time tunnel, where the context of Kwai Chai Hong lends itself to the historical background for this piece. It reflects on the heritage of our past.
▽造型参考中国传统的木窗棂
▽装置正下方
与之对应，装置幽灵般的外观也投射出未来走向的模糊性，即使身处在瞬息万变的世界中，保护我们的文化遗产仍有其必要性。
Similarly, its ghost-like appearance projects an ambiguity in the future we are heading to—a small commentary on needing to preserve our cultural heritage in a rapidly changing world.
▽夜景
Project Name: Endless Frames
Artist: Pamela Tan -Poh Sin Studio
Company Name: Poh Sin Studio
Website: https://www.instagram.com/pohsin_studio/
Project Location: Kuala Lumpur, Malaysia
Photo Credits: Annice Lyn, Aaron Wong, Ewyn Shum
