转自公众号：Hhlloo设计网 在伏尔塔瓦河上方的一个岩石斜坡上，古典的雅布伦卡城堡延伸到布拉格。城堡之下，梯田状的葡萄园和如画的都市风景构成了城市北部的主要特色。 On a rocky slope above the Vltava River, the classicist chateau Jabloňka stretches over Prague. Under the chateau, terraced vineyards with picturesque views on the metropolis form the dominant feature of the northern part of the city.
转自公众号：Hhlloo设计网
在伏尔塔瓦河上方的一个岩石斜坡上，古典的雅布伦卡城堡延伸到布拉格。城堡之下，梯田状的葡萄园和如画的都市风景构成了城市北部的主要特色。
On a rocky slope above the Vltava River, the classicist chateau Jabloňka stretches over Prague. Under the chateau, terraced vineyards with picturesque views on the metropolis form the dominant feature of the northern part of the city.
布拉格曾被誉为“葡萄酒之城”，在查理四世统治的黄金时代，伏尔塔瓦河的河谷地区仍旧种植着带状葡萄园，黑山（现如今的Jabloňka苹果园）也不例外。在“三十年战争”的影响下，布拉格的葡萄种植园一度处于荒废的状态，因此黑山上长满了苹果树，Jabloňka这个名字就是由此而来的。18世纪，一座古典主义风格的城堡被建造在了黑山的山顶上，在这里可以欣赏到伏尔塔瓦河壮观的景色。古典主义的审美态度取决于其古老的原则——强调形式、简约、比例和完美主义，这也唤起了人们对古希腊和古罗马地中海文化的浪漫记忆。
Prague was once called the "city of wine", when the Vltava river basin was still planted with long belts of vineyards in the golden ages of the reign of Charles IV. ?erny Kopec hill (nowadays Jabloňka) was no exception. After the influence of the Thirty Years' War the Prague vineyards lay fallow and deserted. As a result ?erny Kopec was covered with apple trees, from which the name Jabloňka comes from. In the 18th century a chateau in classicist style was built on top of the Jabloňka hill, which offered spectacular views on the Vltava river. Classicism in its aesthetic attitude depended on principles based on Classical antiquity. With its emphasis on form, simplicity, proportion and perfection awakened a romanticised memory of the Mediterranean cultures of ancient Greece and Rome.
在接下来的几个世纪里，Jabloňka山脚下的地区发生了根本性的变化。1830年，北方铁路公司的引进导致城市的急剧扩张。这里曾经浪漫的葡萄园景色消失了，慢慢地被对日益增长的大都市的景色所取代。21世纪初期，该地区进行了另一次彻底的改造——Blanka隧道群开始建造，讽刺的是，该变化加剧了特罗亚地区交通拥堵、噪音和二氧化碳污染。
During the centuries to come, the area under Jabloňka changed radically. In 1830 the Northern Railway was introduced, which led to a drastic expansion of the city. The once romantic views on vineyards disappeared and were slowly replaced by views on the growing metropolis. In the late 2000s the area saw another radical modification - construction of tunnel complex Blanka which ironically worsened traffic congestion, noise and CO2 pollution in the Troja area.
曾经浪漫而美丽的酒庄，如今已置身于喧嚣的道路和瞬息万变的环境中。大约在同一时间，Jabloňka成为私人所有。出于对城堡历史的好奇，业主们决定延续这里的历史遗产，并恢复附近的葡萄种植园。2013年，第一批酿造Jabloňka葡萄酒的幼苗被播种了下去，为三种限量版葡萄酒提供原料，分别是Ryynsky Ryzlink、Ryynsky Ryzlink ?erveny和Tramín ?erveny。在清理古老的花园时，人们发现了这里的石头阶梯，一个用于品酒的庭院由此而生。
Once romantic and beautiful chateau became in the middle of the noisy roads and rapid changes. At about the same time Jabloňka became privately owned. Curious of its past, the owners decided to continue the historical legacy of the place and restored its vineyards on the adjacent land. In 2013 planted the first seedlings of the Jabloňka wine, offering only 3 varieties in limited editions, namely Ryynsky Ryzlink, Ryynsky Ryzlink ?erveny, Tramín ?erveny. While clearing the old garden, the stone terraces were discovered, which dictated the establishment of a wine tasting patio.
在历史的指引下，项目的设计目标是重塑浪漫古典的葡萄种植园。受根源于欧洲南部风格的驱使，建筑师们提议创造一个田园诗意般的庭院，这能够减轻使用者受到的来自首都bohemian的影响。
Guided by history the goal was to bring back the romantic antiquity of the vineyard gardens. Driven by their southern European roots, the architects proposed a creation of an idyllic patio, which would allow its users to lose the relation with the bohemian capital city.
被遗忘在梯田式葡萄园中的是一块有弯曲空间的石头废墟。由于废墟与周围的景观巧妙地融为一体，这里成为了设计的出发点。设计师建议采用与废墟现状形态一致的斐波那契螺旋结构，通过加固螺旋状的墙壁，一个独特的寂静绿洲被呈现出来，该结构也解决噪音污染的问题。这个简单且与城市隔绝的空间创造出的氛围，将使用者的注意力重新吸引到城堡与葡萄种植园的方向上来。
Forgotten in the terraced vineyard, a stone ruin with a curved space was discovered. Since the ruin was subtly integrated with the landscape, it became the basis of the intervention. The genius loci suggested the Fibonacci Spiral movement which was perfectly aligned with the existing ruin. By enhancing the walls of the spiral, a unique oasis of silence was outlined, as an answer to the problems of the noise pollution. A simple space, closed from the city, creates an ambiance which directs its users' focus back to the chateau and the slope of the vineyards rows.
项目的设计是通过探索和保护场地现有元素来实现的。将其中的一个元素——一个带门的老橡树作为主要的象征形象，当门被关闭时，人们的注意力会集中在葡萄种植园上。另一方面，当打开这扇窗，也能够建立起与城市之间的联系，并引导葡萄种植园未来的扩张。通过在其轴上镜像门特征，设计师建造了另一扇耐候钢材质的门，这扇门通往的壁龛被用作一个储存和供应葡萄酒的小酒窖。
The overall intervention was driven by discovering and preserving the existing elements found on site. By framing one of them - an old oak tree with a door, a dominant feature of symbolism was established. While the doors are closed, his attention stays focused on the vineyards without the preeminent view to the city. On the other hand by opening the window, the relation with the city is established, and induces the future expansion of the vineyard. By mirroring the door feature on its axis, another corten door was created. The latter niche serves as a small wine cellar, opening for storing and serving the wine.
Fibonacci被面向新石墙的间接照明所包围，此外还有两个不同的功能层，较低的一层用于必要的连接，较高的一层作为品尝区，圆桌是聚会和社交的主要空间。
The Fibonacci patio is surrounded by indirect lighting facing the new stone walls, additionally has a split in two different functional levels, the lower one intended for necessary connections and the higher one as the wine tasting area centralised by a rounded table, which serves as the main space of gathering and socialisation.
设计人员：
Marco Maio、David Obrovnik、Kaja Likar、Katarina Kobale
联系邮箱：maio.marco@gmail.com
社交媒体：www.instagram.com/marcomarioarchitects www.facebook.com/marcomARIoarchitets
办公地址：U Plynárny 1002/97，101 00 Prague 10–Michle，捷克共和国
