© Peter Bennetts 该度假屋坐落在位于Mornington半岛上的高台地上的沿海植被，呈现出低矮，不可描述的街道形态。该场地可以通过相邻的天然绿色屏障后面的小路进入，围绕出场地明显而非正式性质。From the architect. Set within coastal vegetation, on an elevated site on the Mornington Peninsula, the Holiday House presents a low slung, non-descript street presence. The site is accessed via an unsealed road from which adjacent properties are generally set back behind a natural green buffer, lending the surrounds a distinctly informal character.
© Peter Bennetts
该度假屋坐落在位于Mornington半岛上的高台地上的沿海植被，呈现出低矮，不可描述的街道形态。该场地可以通过相邻的天然绿色屏障后面的小路进入，围绕出场地明显而非正式性质。 From the architect. Set within coastal vegetation, on an elevated site on the Mornington Peninsula, the Holiday House presents a low slung, non-descript street presence. The site is accessed via an unsealed road from which adjacent properties are generally set back behind a natural green buffer, lending the surrounds a distinctly informal character.
© Peter Bennetts
一返当地房屋面积不断增加的趋势， 该度假屋面积仅240平方米，以家庭周末为主题，在这里可以进行家庭互动以及一些亲密的、令人放松的活动。 Eschewing local trends towards ever increasing house size, at 240m2 the Holiday House embraces the notion of the family weekender as a quiet place where interaction, intimacy and flexibility are celebrated.
© Peter Bennetts
Ground Floor Plan/首层平面图
该度假屋和它周围的沿海环境之间有着紧密的联系，特别是当地的生态环境和场地的起伏，及沙质地形条件。作为年轻一族的住宅，度假屋的设计试图寻求隐私及聚会之间的平衡；线性的住宅平面显示了其作为复杂空间体验的序列性，每个空间都有自己独特的品质，起居区域作为一个连接的空间，可隔离出来供个人使用，也可成为为了更多交流活动的开放空间。与周围的景观形成直接而多样的连接是至关重要的，嵌入到场地周围自然轮廓的北庭院也可以直接进入，在西边，从二层的客厅/儿童游戏室与场地后面则形成了更加离散的连接。 The project brief called for a strong connection between the house and its coastal environs, especially in terms of the local ecology and the site’s undulating, sandy topography. As a house for a young family, the design approach sought to strike a balance between the needs for privacy and togetherness; the linear house plan reveals itself as a sequence of complex spatial experiences that each have their own distinct quality, with principle living areas arranged as connected rooms that can be zoned off for individual use or opened up for more communal activities. Direct and varied connections to the surrounding landscape were critical, providing direct access to a Northern courtyard embedded within the site’s natural contours, and a more discrete Western connection to the rear of the site from a secondary living/children’s playroom.
© Peter Bennetts
包括楼上主卧室与楼下儿童卧室的分隔区被作为就寝的区域，在场地的南边，从楼下生活区域经过私人起居室可以到达楼上的睡眠区。平面和剖面的空间组织会随着儿童的成长而改变家庭动态，并提供了一系列周围景观的视野，在楼上的主卧室，可以更亲近并直接观察到更多的树木和地面的灌木丛，略过树顶则可以看到更辽阔的景色。窗口及幕帘经过巧妙的设计形成明暗不同的特质，提升了不同程度的私密性并与周围环境形成联系。 Sleeping areas within the house have been zoned to provide separation between the master bedroom upstairs and the children’s bedrooms below, which step down from the primary living areas towards the low lying, Southern side of the site. The spatial organization in plan and section anticipates changes in family dynamic as the children grow up, and provides a range of views to the surrounding landscape, from more intimate direct aspects to the surrounding tree trunks and undergrowth at ground level, to more sweeping vistas across the treetops from the master bedroom above. Varying qualities of light and shade were carefully considered in the curation of window openings to enhance varying degrees of privacy and engagement with the surrounds.
First Floor Plan/一层平面图
© Peter Bennetts
该度假屋的设计及其它的适用，特别的触觉性，内部空间设计带来的贴心的体验感都是创新的。房子不是财大气粗，而是在相对较小的空间内组织其序列及连接，使得每个空间都有其独特的品质。住宅平面的几何形状形成了清晰的内部空间，提供了住宅元素的细节处理形成期独有的建筑语言。内置的细木作，如窗洞口和墙面的图案都以住宅平面相联系，组成一个家庭的元素或主题变奏曲。 The Holiday House is innovative in its modesty, privileging a sense of tactile, intimate experience in the arrangement of interior spaces and their finish over scale. The house is not ostentatious but rather celebrates a sequence of arrival and connection between relatively small spaces that each have their own distinct quality. The geometry of the house plan informs the way internal spaces are articulated internally and provides a language for the house that continues in the treatment of building elements down to the smallest detail. In- built joinery, window openings and wall patterning all take their cue from the plan form, comprising a family of elements or variations on a theme.
© Peter Bennetts
使用银色的灰来粉饰室内外的接缝加强了内外空间的联系，在折叠屋顶之下的生活区形成了统一。雕塑般的石壁炉占据了屋子的中心，它也是社交活动的中心，作为一个锚点，原始的、细长的人字形屋顶从这里开始悬挂。 The use of silver top ash, shiplap cladding internally and externally enhance the connections between inside and out, unifying the principle living areas beneath a folded ceiling line. A sculptural stone fireplace occupies the centre of the house and is its social heart, acting as an anchor point from which the primary, elongated gabled roof form is hung.
© Peter Bennetts
© Peter Bennetts
可持续建筑 从一开始度假屋的意向是提供一个最小的足迹，并尽可能保留多的场地剩余的植被（据消防法规）。整个房子的材料选择以自然温暖，结实耐用和能耗较低为目的，广泛使用的低光泽度，低VOC（挥发性有机化合物）材料的使用也同样如此，自然光的进入也提升了住宅的静谧感。调色板的设计也是巧妙的，从沙土和场地的沿海植被中吸取灵感，并经过认真考虑，以尽量减少日常维护。 Sustainable Architecture At the outset the intention for the Holiday House was to provide a minimal footprint and retain as much of the site’s remnant vegetation as possible (as far as fire regulations would allow). Materials throughout the house were selected for their natural warmth, robustness and low embodied energy, with extensive use of low gloss, low VOC finishes intended to enhance a sense of quietness by muting the extensive, incoming natural light. The palette is deliberately restrained, taking its cue from the sandy soil and coastal vegetation of the site, and was carefully considered with regard to minimizing ongoing maintenance.
© Peter Bennetts
住宅结构设计和完成降低了钢结构的用钢量，简化了构建过程和降低在材料的整体能源。整个住住宅采用了双层玻璃和高度绝缘的建筑表皮，以尽量减少持续的能源成本。此外，房子采用了大量的被动式太阳能设计的举措，如深屋檐和北向设计，以减少加热和冷却的需求。住宅还提供了广泛的交叉通风，因此也没有机械制冷的需要。 Steel construction was minimized in the structural design and finishes to simplify the build and reduce overall embodied energy in the material specification. Double glazing was employed throughout the house and a highly insulated building fabric specified to minimize ongoing energy costs. Furthermore, the house employs extensive passive solar design initiatives such as deep eaves and Northern orientation to minimize heating and cooling demand. Extensive cross ventilation was provided; no mechanical cooling is required.
© Peter Bennetts
© Peter Bennetts
Site Plan/场地平面图
North Elevtion/北立面
East Elevtion/东立面
South Elevtion/南立面
West Elevtion/西立面
建筑师：BKK建筑设计事务所 位置：澳大利亚维多利亚州莫宁顿半岛 设计团队：Julian Kosloff, Simon Knott, Tim Black, George Huon, Jane Caught, Stephanie Bullock, Madeleine Beech, David Sacher, Julian Faelli, Phil Moloughney, Simon Linardi 面积：240.0平方米 时间：2012 摄影：Peter Bennetts 结构工程师：Irwin咨询私人有限公司 服务工程师：BRT咨询私人有限公司 屋宇测量师：Group II屋宇测量师 土地测量师：Marcus Kalkman公司 造价预算师：Cost Planning & Economics公司 园林绿化：Eckersley园林建筑公司 Architects: BKK Architects Location: Mornington Peninsula, VIC, Australia Design Team: Julian Kosloff, Simon Knott, Tim Black, George Huon, Jane Caught, Stephanie Bullock, Madeleine Beech, David Sacher, Julian Faelli, Phil Moloughney, Simon Linardi Area: 240.0 sqm Year: 2012 Photographs: Peter Bennetts Structural Engineer: Irwin Consult Pty Ltd Services Engineer: BRT Consulting Pty Ltd Building Surveyors: Group II Building Surveyors Land Surveyor: Marcus Kalkman & Associates Quantity Surveyor: Cost Planning & Economics Landscaping: Eckersley Garden Architecture |
